New Generation Space

Halima Cassell

newgenerationspace — Tue, 03 May 2011 12:30:06 +0000

Artists Talk
with Halima Cassell

Borough Museum and Art Gallery, Brampton Park, Newcastle-under-Lyme
Wednesday 4th May, 5.30pm

FREE, Booking is Not Essential but please email us so that we have an idea of numbers.
newgenerationspace@googlemail.com

Halima Cassell is widely regarded as one of the UK’s leading young talents. Influenced by travel in Asia and the Far East. Her most recent work explores new material, non-geometric forms and a dialogue between her sculpture and ecclesiastical art and architecture.
A showcase of the work of Halima Cassell, an artist whose multi-cultural background spills out onto her work. She includes strong geometric elements and architectural principles. She uses heavily grogged clay that allows her to work on a large scale. This exhibition shows pieces that focus on her Asian roots but combine with her fascination for African patterns.

‘Dreams Made Manifest’ is Halima’s largest and most ambitious exhibition to date and includes work of different materials, scales and approaches whilst still incorporating the lines, curves, facets and planes that make it unmistakably hers.

5:30pm – Presentation about the work, techniques etc

5:45pm – walk and talk

6:15pm – Q and A

6:30pm – Finish

Drawing Workshop

newgenerationspace — Tue, 22 Mar 2011 15:14:21 +0000

with Behjat Omer Abdulla

FREE, Booking Essential see below

Event Date and Times: Saturday, 9th April, 1.30pm – 4.30pm

Venue: The Exchange, 8 Cheapside, Cultural Quarter, City Centre, Stoke on Trent, ST1 1XR

This workshop provides a unique opportunity to take part in innovative and inspirational self-portrait drawing session. It is a contemporary take on traditional drawing techniques using a camera as a tool to create self-portrait with ideas and concepts inspired by your own ID card photos.

Participants will have the opportunity to learn observational drawing skills and experiment with a variety of media. They will have the chance to draw their own ID photos that are to be taken on the day and provided at the start of the workshop. The drawing will reproduce the photo but also use imaginative ways to restructure the work. Participants will learn to work with Graphite Powder, on high quality paper, hand made brushes, props, and with a range of drawing materials/techniques to make inspired drawings and gain insight into this specific technique.

This is a unique opportunity to learn how to apply a technique to your subjects – with a guide along the way. In addition you can bring your own drawings in any stage of completion, you can even bring work that you previously thought was finished and you will get a chance to discuss the progress of the work and get advice that will make it really pop out of the page.

All levels of ability are welcome.

Materials are provided but you can bring any additional materials that you wish to use.

Booking: To Book 1 of 10 spaces available please email newgenerationspace(at)googlemail.com

Cyanotype: Lo Fi Photography Workshop

newgenerationspace — Thu, 17 Mar 2011 12:12:21 +0000

with Heidi Crabbe

FREE, Booking Essential see below

Venue: AirSpace Gallery

2nd April 2011, 11.00am – 4.00pm

An introduction to an historic ‘camera less’ way of producing a photographic image. The Cyanotype is a printing process that enables a photographic image to be fixed onto paper using sunlight. Where the light reaches the paper it turns blue and where the light is held back by a stencil, transparency or object, the area remains white. This type of print is called a photogram.

During this workshop the participants will make a cyanotype print and gain the knowledge on how to make the prints themselves. Anyone wishing to bring along their own objects to make the prints may do so; items such as leaves, flowers and feathers make interesting images.

Booking

To Book 1 of 10 spaces available please email newgenerationspace(at)googlemail.com

Modes of Practice in an Age of Austerity

newgenerationspace — Mon, 14 Mar 2011 22:21:07 +0000

Modes of Practice in an Age of Austerity

newgenerationspace — Mon, 28 Feb 2011 18:21:52 +0000

'Turning the Place Over' by Richard Wilson. Photograph by Glen Stoker

Delivered by Artists Emily Speed, Rich White and Anna Francis.

Event Date and Times: Saturday, 12th March, 1.30pm – 4.30pm
Event Venue: The Exchange, 8 Cheapside, City Centre, Stoke-on-Trent ST1 1HE

How do we survive the cuts without sacrificing or compromising our practice, ethics and professionalism?
Modes of Practice in an Age of Austerity is an event for artists and other creative practitioners to explore and discuss strategies for survival in a time where cuts threaten to obliterate the art world in the U.K. and beyond.

Artist Emily Speed will talk about her practice and approach to ‘Getting Paid’ as discussed in her a-n blog.

Artist Rich White will discuss how he assesses opportunities not just on how much money they bring in, but in terms of other benefits as well, and how a practitioner whose work is not saleable in the traditional sense survives in these difficult times. Download PDF of State of Practice, an essay by Rich White.

The event will culminate in a group discussion activity which will aim to create a dialogue and explore the issues that artists face in light of the cuts, we will then come up with strategies for avoiding bad practice. We will aim to set out ideals and a set of rules which will form the manifesto: Modes of Practice in an Age of Austerity, which will be turned into a working document designed by Rich White, Emily Speed and Anna Francis – and will form a petition for artists to sign up to after the event.

Be part of something important. Please email: newgenerationspace@googlemail.com to book a place for this timely event.

About the Artists

Emily Speed: My most recent research has been based around the vulnerability and the temporary nature of things. I often use architectural forms in my work as it represents, for me, the most poignant example of transience; man’s attempt to create permanence and legacy through building. I am also interested in the way that architecture can act as a metaphor for our internal selves (the body as a building that houses the mind) and with the enduring sense of memory and/or personal identity that is often embedded into or linked with particular sites.

My work, which comprises installations, drawings, artists’ books and sculptures, often seems to exist in an in-between state where it can be difficult to ascertain whether works are in a half-built or half-derelict state. I often build quite lonely, isolated structures, with a seemingly short life; shelters offering the briefest respite, and storage that can hold only the smallest, lightest items.

The dependency of the work on the environment in which it is built and shown is also something that interests me greatly; my work is often balanced, propped, wedged or held together through tension. Literature is also of great influence, and fiction often features heavily in my work, whether through the creation of fictional places, written text or the imposition of a new history onto a place.

http://www.a-n.co.uk/artists_talking/projects/single/497389

Rich White:

‘My current work involves physically altering (or appearing to alter) existing architecture in public and exhibition spaces. These architectural interventions are developed specifically for their location through research and site visits; responding to the architecture, history and current happenings in the area.

‘Through this I create a narrative or story that I feel evokes the collective subconscious – a visual reference that seeks to provoke thoughts about the location by drawing on elements of the locale. The final work often takes a simple form or pattern of structure which is intended to resonate with the viewer through its unexpected familiarity.

‘The work is built on-site often from materials found or reclaimed in the vicinity and integrated into the existing architecture. Afterwards the materials are recycled or returned for reuse. This conveys a connection to its location and influences its development. The work is at the whim of the materials I can find and at the mercy of their limitations.

‘It is about making it work, about adapting ideas to changing situations, and creating an inspiring experience for the viewer which challenges their perception and causes them to question what they see.’

Anna Francis: Anna Francis is an artist whose practice examines private histories, public space and civic languages; using forms of intervention, mapping, performance, consultation and photography to investigate the impact of art and culture on the regeneration of cities.

Anna Francis has been a Lecturer in Fine Art at Staffordshire University since 2005.

Francis has exhibited widely across the UK and beyond and has project managed and designed various art platforms which provide opportunities for other artists to investigate the city as a site for exploration and development. These include Interrogation: Walsall in 2009 (delivered from the New Art Gallery Walsall) and Interrogation: West Bromwich in 2010. In 2010 a book to document and set out the process of Interrogation was published. (‘Interrogation Walsall: a handbook’ ISBN: 978-0-9563457-1-4).

Ongoing participatory project ‘There is Beauty in the City’ is an online project, where participants apply for a magnet, which they can place anywhere in their respective cities that they find beauty – photograph the location and send it in to the project blog. This is resulting in a catalogue of images from around the world, forming a consensus on the beauty to be found in urban space. In 2010 the project lead to exhibitions in the Leiden – Netherlands, Gijon – Spain and inclusion in a performance event in Bristol – UK.

Anna is a studio artist and board member at AirSpace Gallery, and has been developing the education strand at the gallery and in developing the studio based activities, managing the Group Project Common Ground, which took place in a city park in June 2010. Anna is also very involved in setting up various artists networking and development events in Stoke-on-Trent, in partnership with other local artists: for example Pecha Kucha, Stoke-on-Trent and Headtalk.

For more information and images of work please go to www.annafrancis.com

Or www.annafrancis.blogspot.com for day to day activities.

Printmaking

newgenerationspace — Tue, 22 Feb 2011 12:29:13 +0000

Date: 19^th March

Artist Kate Lynch

Venue: Newcastle Museum and Art Gallery, Brampton Park, Newcastle-under-Lyme ST5 0QP

Time: 11am – 3pm

Duration: 4 Hours

Free

Limited Spaces available, booking is essential

Print Making

The workshop will outline print methods that require little specialist equipment with an emphasis on using inexpensive and readily available materials to produce effective results quickly. Explore what a ‘print’ can be, using alternative printing mediums such as emulsion paint, inkjet transfers, and experiment with a range of papers, surfaces and backgrounds. You will be shown some basic techniques which can then be layered for more interesting results.

The techniques explored will be ideal for quick results when working in the studio, and for the development of sketchbook work, book art, artists multiples, and small scale prints.

As this is an experimental workshop you will be free to explore your own ideas using the techniques and equipment available. You can therefore bring along any images you want to work with such as photographs, scanned drawings, text, photocopies, interesting patterns- anything you want to make a ‘print’ from. Material brought can be hard copies such as photocopies or photographs, or digital images (Jpeg) on USB stick or disk. You are also welcome to just come along and use the resources provided.

You will also have the opportunity to create a sketchbook of swatches and notes of methods explored which can become a reference point for further work, and a keepsake from the day.

Artist Kate Lynch creates paper based artwork, multiples and interventions which contain elements of ‘print’, using basic and unconventional methods of printing and ‘DIY’ methods. She also utilises digital image and inkjet printing combined with hand produced backgrounds and printing by hand.

to book please email newgenerationspace (at) googlemail.com

Mapping the City: Audiovisual Workshop

newgenerationspace — Tue, 22 Feb 2011 12:28:11 +0000

Date: 5^th March

Artist Victoria Lucas

Venue: AirSpace Gallery, 4 Broad Street, Stoke on Trent, Staffs, ST1 4HL

Time: 11am -4pm

Duration: 5 hrs

Free

Limited Spaces available, booking is essential

Drinks Provided Only

Mapping the City

This workshop will provide an opportunity to learn how to create a digital installation using video and sound. Through recording, editing, burning, and installing, the session will allow participants to work together to create a temporary artwork, which will be led by artist Victoria Lucas.

Participants will be guided through the stages needed in order to create a work of multimedia art; from the beginning of the ideas process through to the final outcome. Victoria will present a selection of audiovisual works at the beginning of the session to inform and inspire. Each participant will then be given an activity, in which they use digital technology in conjunction with their own ideas to create a piece of work. The individual works will then be installed together, to make a larger artwork.

Victoria Lucas (1982, UK) is an interdisciplinary artist and curator working with sound, video sculpture, and installation. She explores the transient nature of these mediums, allowing one to consider the ephemeral nature of existence against the passage of time. She graduated in Fine Art Sculpture in 2004 from the Norwich School of Fine Art and was awarded a MFA Fine Art Degree from the University of Leeds in 2007. For more information visit www.victorialucas.co.uk

to book please email newgenerationspace (at) googlemail.com

Contemporary Ceramics Workshop with Denise O’Sullivan

newgenerationspace — Sat, 15 Jan 2011 11:52:25 +0000

Saturday 22nd January
The Borough Museum and Art Gallery, Newcastle-Under-Lyme

10.30-4.00, FREE, Booking Essential

Hello to Everyone, and a happy 2011,

Workshop
We would like to invite you to take part in a workshop led by Denise O’Sullivan. The day will consist of a chance to explore different ceramic techniques that can be used to produce a variety of forms, these will include slab built pieces, slip casting, the use of slip to create surface, different glazes, and the use of transfer imagery to create your own plate design.

Artist Talk
As part of the day we have invited Denise to give a brief talk about her own contemporary ceramic practice, which is currently going from strength to strength. She will also be able to discuss with you any ideas or questions that you might have about your own practice.

Further Info & Booking
The workshop is open to anyone, and of all abilities no previous knowledge of working with clay and ceramics is required. Booking for the session is however essential as there are only a limited number of places available, and 10 spaces will be allocated on a first come first served basis.

To Book please email: newgenerationspace@googlemail.com

NEW Workshops for 2011…

newgenerationspace — Thu, 13 Jan 2011 12:39:07 +0000

It is another year and we have a new selection of exciting and interesting activities for you take part in…For more information about each workshop click on Workshops and Events above

Most of the activities will require you to pre-book a place due to a limited number of spaces, to do this just email the project,

dates marked with * are To Be Confirmed.

Sat 22 January: Contemporary Ceramics Workshop, with Denise O’Sullivan: Workshop combining both a practical and experimental exploration of contemporary ceramic technique, and artist talk from Denise.

Sat 5 February*: Printmaking, Practical workshop looking at a range of printmaking techniques suitable for beginners and experienced practitioners. Prints to sell, Limited Editions, One offs for exhibitions etc.

Portfolio Development Programme, a series of three workshops, for people thinking about or intending to enter higher education in the arts sector. It will give you the skills and advice to ensure you make the most of the work you are producing.

14th Feb Session 1, 21st Feb Session 2, 7th March Session 3.*

26 February*: Sound and Moving Image, Experiments with sound and visual techniques to create art, also looking at ways of working on a small budget, for example mobile phone films.

5 March*: Experiments in Photography, A look at some of the experimental ways photography can be used within art practices, the techniques involved will use both digital and film based approaches.

14 March*: Writing and Words, Art from words session. Experimenting and exploring words within art production. Text and writing play a key role in the creation of artwork, this session will explore some of the ways that you could develop this, with examples of work produced by the lead artists.

March: Getting Paid, As an artist getting paid is important and should reflect the effort that is put in, but how do you do this. This seminar with Emily Speed will explore how the current economic climate could affect you as an artist, and how to get around the pitfalls.

April: Approaches to Drawing, do you want to expand on your drawing skills, develop them from scratch, or find new ways of drawing. This is an experimental workshop looking into various aspects of drawing, intended for participants of all abilities.

The Big Draw | 21st October

newgenerationspace — Wed, 06 Oct 2010 13:40:59 +0000

The Big Draw: Escape to the Hidden Gardens The Potteries Museum & Art Gallery and The Garden Festival Site 21 October 10am – 4pm
An opportunity to take part in drawing workshops on the site of the 1986 Garden Festival – location: 53° 1’47.63″N and 2°11’46.02″W. ‘Escape from the Urban Sprawl’ workshops will be taking place on the site from 10am or alternatively you can walk from The Potteries Museum & Art Gallery up to the Garden Festival site, with artist Brian Holdcroft. The walk will take place at 2pm and will leave from the foyer of the The Potteries Museum & Art Gallery.
Artists Anna Francis, Kate Lynch, Brian Holdcroft, Behjat Abdulla